About the Artist
Reid Bowman
The year was 1957, and my father decided to build a boat. All I wanted to do was ride my bike and play, but my dad wanted to teach me about design, building, and tools. I suspect he mostly needed free labor, but in the process, I actually learned about design, building, tools, wood, and the beautiful things that can be created.
I was the kid who wasn’t the first choice for the neighborhood pickup baseball game, but I was the one who designed and built the cool forts that are probably still standing. In high school, I still wasn’t much into school sports, but surfing was cool, and I designed and created intricate wood fins.
As much as surfing was my passion, it was time to grow up. I went to college at Long Beach State, then on to grad school at Princeton University, and then a postdoc at UC Berkeley—not in design or architecture, but in chemistry. However, while at UC Berkeley, I discovered a book by James Krenov that inspired my creative energies. With a PhD in chemistry and a young family, I pursued a career in chemical research, which provided the funds to start collecting woodworking tools. While I was working, I took the many skills and tools and built a house. For my 39th birthday, after my house was finished, my father gave me a book: Greene and Greene Masterworks. “Wow.” The Greene and Greene furniture was the second major influence on designing furniture.
I was living in Southern California and decided to further my craft by attending William Ng School of Fine Woodworking. I also went to the Sam Maloof Workshop, and that was the other really big influence on my design decisions. I actually had the privilege of meeting Mr. Maloof before he passed. Sam Maloof was the third major influence on designing furniture.
When I create a piece of furniture, it is a process. I am inspired by working with clients to achieve their vision. I do this by listening, creating three-dimensional drawings, and then making mockups. This gives the clients a realistic idea of what the final product will be.
Take a look inside the shop
About the Logo
The name Olivery Fine Woodworking is synthesized from the names of two of my grandchildren, Avery and Oliver. Avery is the artist who designed my logo and she can be seen sitting in the logo tree along with my grandson Oliver. Although not directly in the logo, my father’s roots run deep in my work and continue to nourish the creative process.